19 Mar 2025
When Christian Louboutin’s signature elegance meets Maison Margiela’s avant-garde deconstruction, the result is a groundbreaking experiment in footwear design. Created by John Galliano and Christian Louboutin, this limited capsule collection seamlessly merges the creative codes of both maisons, pushing the boundaries of contemporary luxury.
The Maison Margiela by Christian Louboutin line reinvents the iconic Tabi shoe, refining its split-toe silhouette into a soft, curvaceous heart shape through Louboutin’s signature sculptural craftsmanship. The Bridiela Una Strass is a dreamlike vision in crystal-adorned mesh, while the Loubiella sandal highlights the arch of the foot with an asymmetric strap, and the Marlougiela ballerina flat takes on a sleek, elongated form that blurs the line between footwear and art. Rendered in classic black, silver, and blush tones, these designs blend architectural precision with an ethereal touch.
The Christian Louboutin by Maison Margiela collection, on the other hand, strips footwear down to its very essence using Maison Margiela’s signature decortiqué technique. The Bilougiela 25 and Martinloula pumps expose their underlying structure, reducing traditional design elements to their rawest form, while the Xrismarteen knee-high boot exaggerates this effect with cascading leather strips, creating a sculptural illusion of deconstruction in motion. The Martoubi 25 pump features an impulsive red brushstroke on its heel, a nod to Maison Margiela’s bianchetto technique and an abstract interpretation of Louboutin’s iconic red sole.
More than a collaboration, this collection is a study in contrasts—where refinement meets rebellion, and tradition is reshaped into something entirely new. Christian Louboutin’s signature sensuality fuses with Maison Margiela’s conceptual artistry, resulting in footwear that transcends function to become pure expression. Launching worldwide in select boutiques and online from March 12, this collection awaits those bold enough to step into the unexpected.
